ARTIST FELLOWSHIPS

 

Philadelphia’s Cultural Treasures Artist Fellowships are designed to help a full spectrum of BIPOC artists and cultural practitioners—working in traditional forms and boundary-breaking practices—dream more, take risks and experiment, and pursue interests and collaborations that nourish them.

This funding opportunity offers financial support, resources, and professional development opportunities to promote each Fellow’s well-being and advance their careers. Two rounds of Philadelphias Cultural Treasures Artist Fellowships were awarded, in 2022 and 2024, through a nomination and panel selection process.

2024 PHILADELPHIA’S CULTURAL TREASURES ARTIST FELLOWS

Naw Doh: Since arriving in Philadelphia from Burma in 2002, Naw Doh has been a community leader for other resettled Karen refugees from Burma, working to preserve their culture through traditional weaving, storytelling, music, dance, and gardening practices. She is a master practitioner of fiber art traditions at risk as the Karen people face continued persecution, founding Weaving a Karen Future in 2020, which grew into the Karen Community Association of Philadelphia in 2024. She also serves as a translator for Karen youth and elders. Weaving a Karen Future on Facebook

Charlyn Magdaline Griffith-Oro: Trained as a sociologist and ecologist, Griffith-Oro is an interdisciplinary social practice artist concerned with ancestral lineage, systems of power, and collective care as world-building. Their work includes visual art, film, performance, and ritual gathering that tends to the “expanses of Black life,” often referencing archives and exploring their Caribbean identity. They are the founder of Wholistic.art, a creative agency centering cultural production in community development, and the Free Brunch Program, a no-cost food sharing project. Wholistic.art

Leo Gadson: Gadson is one of the first jazz producers in Philadelphia and the founder of the Producer’s Guild, which has presented and supported jazz in Philadelphia since 1975. He has presented and collaborated with a wide range of jazz performers, including Cecil Taylor, Ahmad Jamal, and Jackie McLean, showcasing exemplary Black musicians for Philadelphia audiences for half a century. Leo Gadson on Instagram

Vaughnda Hilton: Hilton is an Indigenous artist, descending from the Blackfeet, Seminole, and Creek nations, who performs and teaches traditional dances and songs, building connection and belonging within Indigenous communities. She shares tribal culture through public events and partnerships with Indigenous leaders and Philadelphia city government. She is the founder and CEO of Native Nations Dance Theater and AfroDanze and served as president of the United American Indians of the Delaware Valley, among other education and advocacy group leadership roles.

Ruth Naomi Floyd: Floyd is a vocalist, composer, flutist, photographer, historical researcher, educator, and justice worker. As a jazz vocalist, she has recorded six albums expressing themes of theology, history, and justice. Her performances, lectures, and photography, along with historical work on extraordinary Philadelphians like Octavius Catto, Marian Anderson, and Frances Ellen Watkins Harper, expand on these themes as well as beauty, culture, and the arts. Ruth Naomi Floyd on Instagram

Germaine Ingram: Ingram’s multidisciplinary creative practice spans dance and vocal improvisation, choreography, performance, oral history, songwriting, archival research, cultural preservation, and filmmaking. She began her arts career in the 1980s, employing jazz tap dance to explore the cultural contributions and internal lives of Black people, especially Philadelphians and women. As both a leader on a range of creative projects and a collaborator and mentor for other artists, Ingram’s practice illuminates history, animates collective memory, preserves cultural traditions, and pursues social justice.

Anthony Mendez: Mendez is the director and lead percussionist of Los Bamberos De La Calle, a musical group performing traditional and contemporary bomba and plena music and dance. This Afro-Puerto Rican musical style dates back to the 17th century with a connection to the African and Indigenous Taino roots in the Caribbean. In addition to performing, he has taught these musical traditions to Philadelphians across generations and cultures for two decades. phillybombaplena.com

Michelle Angela Ortiz: A visual artist, muralist, and filmmaker, Ortiz has created more than 50 large-scale public works and has led public art projects around the world. Her socially engaged practice examines issues of immigration, socio-economic inequalities, and human rights, working with communities to reveal their strength and spirit and translate their stories into rich, emotive imagery. michelleangela.com

Alex Shaw: Shaw is a percussionist, composer, cultural producer, and educator specializing in Afro-Brazilian musical traditions and the Brazilian martial art of Capoeira Angola. In addition to composing music for theater, dance, and film, he has served as director and lead vocalist of the musical ensemble Alô Brasil and section leader in the Spoken Hand Percussion Orchestra. Alex Shaw on Instagram

Richard J. Watson: Watson is a visual artist whose work encompasses paintings of landscapes and traditional forms as well as collage, found objects, clothing, music, literature, and poetry. He has served as artist-in-residence at the African American Museum in Philadelphia for more than 20 years. His visual works blend elements of memory, dreams, ancestral references, issues of social politics, and daily life. watsonartforyou.com

FORTUNE: FORTUNE is a print collective, assembled by and for queer and trans Asian publics. Conceived by Andra Palchick, Heidi Ratanavanich, and Connie Yu, FORTUNE approaches printing and self-publishing as a practice of learning, gathering, remembering, and making multiple. Their risograph print studio, Many Folds Press, provides accessible, responsive print services to broaden reach for queer and BIPOC stories. The studio’s catalogue includes resource guides and functional objects distributed through alternative, slow, or intentional means. printingfortunes.info

  • Daryl Kwasi Burgee: A musician and leading educator with four decades of expertise in West African music and cultural traditions, Burgee is the founder and artistic director of Spoken Hand Percussion Orchestra and Jaasu Ballet African Dance. He has played on more than 250 recordings with a wide range of artists, performed with The Philadelphia Orchestra, and taught in schools throughout the Delaware Valley as well as nationally and internationally.

    Vashti Dubois: Dubois is a social practice artist and multidisciplinary cultural producer. She is the founder and executive director of The Colored Girls Museum, which "honors the stories, experiences, and history of ordinary Colored Girls.” Her artistic work includes the forthcoming book Housework: A Memoir, curation, and multidisciplinary performances that address issues such as black feminism, housing, public health, and the juvenile justice system. thecoloredgirlsmuseum.com

    Maori Karmael Holmes: Holmes is a curator, filmmaker, and writer who has organized programs across the US and whose films have screened internationally. She is the founder and chief executive & artistic officer of BlackStar Projects, which produces year-round programming and a highly acclaimed annual film festival centered on the work of Black, Brown, and Indigenous artists. blackstarfest.org

    Homer Jackson: An interdisciplinary artist, curator, and producer, Jackson uses multimedia, live performance, and audience participation to tell stories and investigate elements of the Black experience in America. He has over 30 years’ experience as a teaching artist working in community settings and is executive director of the Philadelphia Jazz Project. philajazzproject.org

    Wit López: As a multidisciplinary visual artist, performance artist, and essayist, López combines the skills of fiber art, painting, collage, and photography with elements of theater and classical music to explore accessibility, queerness, gender identity, Blackness, and Latinidad. López is founder and artistic director of Till Arts Project, which provides resources for LGBTQ+ artists and creators. witlopez.com

    Roberto Lugo: Lugo is a visual artist, social activist, poet, and educator whose ceramic works blend classical pottery forms and decorative patterns with iconography reminiscent of his North Philadelphia upbringing and hip-hop culture. Highlighting themes of poverty, inequality, and racial injustice, his work has received international recognition and is held in the permanent collections of several museums. robertolugostudio.com

    Louis Massiah: Massiah is a documentary filmmaker whose work has been broadcast on PBS and screened at festivals and museums internationally. He is the founder and director of Scribe Video Center. Massiah has earned numerous honors for his 40 years of innovation in documentary filmmaking and community-based media that centers the stories and voices of Black people and all those who are offering a vision for progressive social change. scribe.org

    Pepón Osorio: A multimedia visual artist, socially engaged practitioner, and educator, Osorio has worked with communities across the US and internationally over his 30-plus-year career, creating installations based on people’s real-life experiences and merging conceptual art and community dynamics. His work has been presented at major museums as well as in storefronts, department stores, and homes throughout the world. tyler.temple.edu

    Ursula Rucker: Rucker is a poet, performer, recording artist, and activist whose work reflects on personal history, family, place, and social justice. Over her career spanning nearly three decades, Rucker has released five albums and collaborated with a wide range of artists and cultural organizations. She is a mentor to emerging poets and a creator and facilitator of programs for communities across Philadelphia. instagram.com/urucker

    Sinta Penyami Storms: Storms is a dance artist and community leader dedicated to preserving and promoting Indonesian tradition and culture as well as raising awareness of social justice and immigration issues. She is the founder of Modero & Company dance group, offering programs to bring Philadelphia's Indonesian community together and presenting performances throughout the city. sintapenyami.com

    Andrea Walls: With nearly 30 years as a multidisciplinary artist, poet, and curator, Walls celebrates and commemorates Black life and culture in Philadelphia and beyond through platforms such as the online Museum of Black Joy and the Black Joy Symposium, a series of programs to “imagine and ritualize an opulent Black future rooted in joy.” museumofblackjoy.com/the-artist

    Yolanda Wisher: As a poet, singer, educator, and curator, Wisher has been commissioned by and organized major programs and events with numerous organizations. Her work engages poetry as both an intimate and shared public experience and as a vehicle to nurture and mobilize communities. Wisher has been Poet Laureate of Philadelphia and of Montgomery County. yolandawisher.com

  • Two Artist Fellowship cycles were offered, the first in 2022 and concluding with the 2024 cohort. General operating support grants were awarded in 2022, and project grants were awarded in 2024.

    During each of the two cycles, up to 12 BIPOC artists or artist collectives receive awards of at least $75,000 in unrestricted funds. Of these, awardees who have made a meaningful difference in Philadelphia’s cultural landscape for 20 years or more are eligible to receive $120,000 in unrestricted funds. Additionally, $15,000 is awarded to each Fellow for deposit into a qualified retirement account.

  • As a collaborator in this regional initiative, The Pew Center for Arts & Heritage administered the nomination and panel review process, which was designed based on a research and community listening effort led by Risë Wilson, an artist, community organizer, activist, strategic planner, curriculum developer, and nonprofit consultant.

    To encourage an applicant pool that represents the breadth of creativity and diversity of BIPOC cultural practices in the Philadelphia region (in terms of neighborhood, discipline, gender, age, and ethnic diversity), the pool of nominators for Philadelphia’s Cultural Treasures Artist Fellowships was equally diverse.

    These nominators were asked to name either an artist or a collaborative of artists by sharing written narratives and work samples for their nominee. 36 nominators with expertise in a range of artistic disciplines participated in the 2024 cycle.

    After the nomination process concluded, a diverse selection panel representing a broad range of backgrounds—artistically, culturally, generationally, and geographically—reviewed all nominations and from this group recommended the group of Fellows to the funders.

  • 2024 Panelists

    Linda Earle, Retired Professor of Practice, Arts Management & Art History, Tyler School of Art + Architecture
    Joyce Chung, Curator, Asian Arts Initiative
    James Claiborne, Deputy Director for Community Engagement, The Barnes Foundation
    Shannon Maldonado, Founder & Creative Director, YOWIE
    Jamie Brunson, Executive Director & Playwright, First Person Arts

    2024 Nominators

    Tailinh Agoyo
    Miranda Alexander
    Nina Ball
    Daryl Burgee
    Mark Christman
    Rafael Damast
    Vashti Dubois
    Angel Edwards
    Denice Frohman
    Rami George
    Morgan Green
    Helen Haynes
    Dustin Hurt
    Anne Ishii
    John Jarboe
    Maori Karmael Holmes
    Nehad Khader
    Dave Kyu
    Wit Lopez
    Marángeli Mejia-Rabell
    LaNeshe Miller-White
    Selina Morales
    Indah Nuritasari
    Sinta Penyami Storms
    Ursula Rucker
    Gabriela Sanchez
    Atif Sheikh
    Gerard Silva
    Al Simpkins
    Daniel Tucker
    Lisa Volta
    Andrea Walls
    Brittany Webb
    Fasina Wilkie
    Yolanda Wisher
    Aisha Zia Khanscription

  • 2022 Panelists

    Linda Earle, Professor of Practice, Associate Graduate Director, Tyler School of Art + Architecture
    Cass Green, Artist & Community Organizer
    Dave Kyu, Artist & Writer; Creative Supervisor, Asian Arts Initiative
    Selina Morales, Folklife Strategist & Consultant
    Dr. George Starks, Professor Emeritus, Music, Drexel University

    2022 Nominators & Community Advisors

    David Acosta
    Beth Feldman Brandt
    Denise Brown
    King Britt
    James Claiborne
    Laurin Frierson
    Helen Gym
    Linda Holmes
    Maori Karmael Holmes
    Germaine Ingram
    Anne Ishii
    Homer Jackson
    Thora Jacobson
    Aviva Kapust
    Sarah Kolker
    Jaamil Olawale Kosoko
    Alice Lesnick
    Julia Lopez
    Ken Lum
    Magda Martinez
    Trapeta B. Mayson
    Jennifer-Navva Milliken
    Trinity Norwood
    José Ortiz-Pagán
    Pepón Osorio
    jumatatu m. poe
    Victoria Prizzia
    Jennifer Rice
    Brett Robinson
    El Sawyer
    Hazami Sayed
    Naomi Sturm-Wijesinghe
    Li Sumpter
    Anthony Tidd
    Daniel Tucker
    Dyana Williams
    Jennifer Zwilling

  • Nominators and panelists are asked to consider the same criteria when deciding who qualifies as a Philadelphia’s Culture Treasures Fellow, focusing on the following three considerations:

    Quality of Craft

    • Have successfully completed compelling works

    • Their work provides insights into their culture and has resonance within their stated communities

    • Seeks or creates opportunities to engage their stated communities in their practice whether as participant, collaborator, or audience. Ensures their work is accessible beyond white audiences or traditional patrons of the arts

    • Strong work samples, where the work reflects thoughtful, clear objectives that have been executed well in terms of technical skill, as well as in terms of the artist’s intended social impact if their practice is a socially engaged art form

    Quality of Service

    • Breadth of service – engages in more than one type of service (e.g., mentors peers AND provides mutual aid or creates paid opportunities for peers AND brings programs to community-based organizations, etc.); serves more than one beneficiary group (e.g., veteran artists AND young people in their neighborhood, or specific organizational partners AND various peer groups, etc.)

    • Compensation – the nominee provides acts of service gratis or does so from a paid position

    • Described Impact – the nominator can attest to why the nominee’s acts of service are meaningful (whether as a recipient or as a witness) through specific/tangible examples

    Commitment to Philly

    • Work/Career has been primarily based in Philadelphia for at least 5 years; additional consideration for nominees whose length of service to Philly has been 20 years or more

  • Nominees must identify as a Black person, Indigenous person, or person of color.

    Nominees may be engaged in and across any artistic disciplines, including but not limited to: architecture and design, archiving and archival work, craft, choreography, folk and traditional arts, literature, media, music composition, playwriting and theater, performance art and public engagement, socially engaged art, and visual art.

    Collaborative teams with a history of working together are eligible if a majority of the members meet all other eligibility criteria.

    Nominees must have a track record of both functioning as artists or cultural workers and investing themselves in Philadelphia’s cultural community for at least five years. Nominees who are eligible for the $120,000 grant must have a track record of contributing to their communities for 20 years or more.

    Artists may not be current employees of any of the funding partners, including The Barra Foundation, Neubauer Family Foundation, The Pew Center for Arts & Heritage or The Pew Charitable Trusts, William Penn Foundation, and Wyncote Foundation. Furthermore, they cannot be members of such employees' households, or people closely related to such employees through blood, marriage, or domestic partnership.

    Nomination has no bearing on whether an artist can receive future support (or has received past support) from any of the funding partners.

    Artists who hold academic positions are eligible for support; however special consideration will be given for artists who operate independently without the support of an institutional affiliation.